#and it starts with an altered ending to the series which means I can't tell without spoiling

[existential-dread-in-the-am]

When your brain extends movies and series you like into movie-like dreams that have some kind of actual plot and even symbolism going on and they feel very real

[khaylin27]

The Alchemy

pairing: oscar piastri x norris reader; lando norris x sister reader; talks about carlos sainz x norris reader (past relationship)

series: the tortured poets department

synopsis: the alchemy is a term coined in the old days before chemist but back then the aim was to produce gold from other elements by mixing certain chemicals. knowing that she is now with the man of her dreams; she came out of the dark in which she has stayed in for a very long time and found the person in which there was 'no denying the alchemy' that if they were together, there's gold, which to her means love.

warnings: literally none because it's all fluff

author's note: THANK YOU SO MUCH FOR ALL THE LOVE AND SUPPORT YOU'VE GIVEN THIS SERIES 🥹😭🩶 also i had a different collage for this but i didn't like it so here's a new one

This happens once every few lifetimes These chemicals hit me like white wine

Marriage happens every few lifetimes, but not for you. You once thought you were going to marry Carlos. Looking back now, you're extremely grateful that you didn't marry Carlos last year. The 'chemicals' of love that you had with Carlos had an intoxicating effect similar to white wine.

I circled you on a map I haven't come around in so long But I'm coming back so strong

After the Australian Grand Prix, you and Oscar decided to spontaneously get married here since all of the important people in your life are here in his home country. The wedding ceremony was being held at the beach that Oscar's parents had private access to.

As you're walking down the aisle with your father, you start tearing up seeing Oscar wait for you at the alter. Everything you've always wanted is finally happening.

Once you reach the alter, your father gives your hand to Oscar. "Take care of my daughter." Your father smiles as tears form in his eyes.

"Forever and always." Oscar says to your father and takes your hand from him. Oscar walks you up the alter and you both look at Zak. Zak was officiating the wedding ceremony.

"The bride and groom have decided to say their vows to each other." Zak looks at you telling you to go first.

"Oscar Jack Piastri. I can't believe we're getting married after 4 months of knowing each other." You smile in disbelief that you're actually getting married. "I remember when we first met, we had a shot of tequila together cheering to new beginnings for both of us. That night Lando ended up wasted while I was a little bit tipsy. You drove us back to our hotel on an empty Las Vegas Strip. The song 'Downtown Lights' by the Blue Nile started playing in your McLaren and we found that we both loved this song. We sang it loudly while Lando was passed out drunk in the back seat. I didn't know it at that time but it was going to be alright because I found the love of my life." Oscar wipes the tears falling from his face while you continue to speak.

"That week was the first time coming back to the paddock in so long. I remember breaking down in Lando's room because of something an ex said about my papaya family and I. You were so worried about me even though our relationship was barely building. I remember you told me 'it's time to crack these locks from him and start throwing rocks at that past relationship.' After that night I circled you on the map of my heart and came back so strong." You finish your set of vows and the Oscar speaks his.

Cause the sign on your heart Said it's still reserved for me Honestly, who are we to fight the alchemy?

"Y/N Marie Norris. If you're shocked that we're getting married after 4 months of knowing each other. Well honey, I'll do you one better. I'm surprised I'm marrying a MILF." Everyone including you two laughed at the joke Oscar made about you being older. "But in all seriousness, I'm so happy I'm getting to marry you. I remember when you told me that night in Abu Dhabi that you loved me. I was the happiest man alive because I started to love you too." Tears start dripping from your face as you recall the night in Abu Dhabi.

"I know you have been through the slammer in your past relationship, but the universe knew your heart was always reserved for me. There was no reason to fight to alchemy because you're the one for me."

Once Oscar finishes his vows, Zak continues with the ceremony. You two put your rings on each other and Zake announces you two as Mr. and Mrs. Piastri.

yourinstagram thank you to the man that dumped me, i found the man the universe reserved for me 💍🤍✨

oscarpiastri i love my milf wife 😏

yourinstagram LOVE, YOU'RE SUPPOSED TO GET ME PREGNANT BEFORE YOU CALL ME THAT landonorris you're basically a milf @/yourinstagram yourinstagram i'm only 26 😭 landonorris you're basically 30 at this point sister, you can't deny it. please give me a niece/nephew soon 🙏 leo can't be my only nephew, he needs a cousin charlesleclerc i agree with this. @/yourinstagram @/oscarpiastri please have a child soon so leo can have a play mate. alexandrasaintmleux preferably a human one so i can convince charles to give me one too @/yourinstagram @/oscarpiastri oscarpiastri i'll start working on it soon 🫡

user1 OSCAR'S COMMENT IS SO UNHINGE I LOVE IT HAHAHA

user2 i love that lando is playing along with it too HAHAHA they were always meant to be family 🥹 user3 i love that alexandra and charles are playing along too user4 maybe baby piastri might be coming soon 👀

oscarpiastri honestly, who are we to fight to alchemy? mr. and mrs. piastri 💍

yourinstagram the love of my life 🥺🤍✨

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logansargeant so glad you found the girl of your american dreams

liked by author and yourinstagram

landonorris STOP RUBBING OFF ON MY MAN HE'S AUSTRALIAN yourinstagram excuse me @/landonorris he's legally mine now step aside

zbrownceo congrats @/yourinstagram and @/oscarpiastri 💍🧡

liked by author and yourinstagram

yourinstagram thank you zak for officiating the wedding. this wouldn't have happened without you 🥹

mclaren the papayas are now married 🥹🧡 congrats @/yourinstagram and @/oscarpiastri 💍 now we need papaya babies

racerbia please we need a papaya baby around the paddock @/yourinstagram and @/oscarpiastri 🥹👶🧡 yourinstagram we're working on it @/mclaren @/racerbia 🫡 user1 BABY PAPAYA IS IN THE WORKS!!!

f1news A MATCH MADE IN HEAVEN: After 4 months of knowing each other, Oscar Piastri and Y/N Norris, Piastri's teammate's sister, decided to tie the knot. This is definitely better than the disaster of a wedding Norris had with Ferrari driver, Carlos Sainz.

Congratulations Mr. and Mrs. Piastri!

user1 the way she went from thinking she lost the love of her life to then finding the love of her life on the team where she truly belonged at 🥹🧡

user2 CARLOS BETTER BE CRYING AT WHAT COULD'VE BEEN

user3 papaya love 🥺🧡

****

I haven't come around in so long But I'm making a comeback to where I belong

After your wedding and honeymoon, you shortly found out that you were 10 weeks pregnant. You didn't notice you were pregnant at first with all the traveling you do until you took a break on your honeymoon. At the end of the trip, you felt like you had a stomach bug but it wasn't. When you went to the doctor to check what was wrong, she calmed you down by telling you that you were pregnant.

You've never seen Oscar so happy in your life other than your wedding day; you were shock on the other hand. At the doctor visit you asked your doctor when she thought the baby was conceived and she said January 22. That was the night when you made love for the first time.

"I still can't believe I'm pregnant," you exclaim as you two were relaxing on the couch. Oscar puts his hands on your stomach and starts rubbing it. "I don't think I can go to the races anymore."

"I know honey, it's okay." Oscar kisses your lips softly. "I know you'll support your favorite guys no matter what."

"Actually you're my favorite, Lando is ..." As you were about to continue you started to remember the comment Lando put on your wedding post. "Lando is going to be so happy that he's getting a niece or nephew soon."

"I understood the assignment Lando, Charles, and Alexandra told me to do." You laugh together recalling how they all wanted you two to start having a child as soon as possible.

****

For your 27th birthday, you decided to celebrate in Miami where Lando and Oscar were racing at. Even though Oscar wasn't on the podium that day, you were so happy for Lando. Finally Lando got his first ever win in F1.

Once Lando got away from the crowd and back into his private room in the garage, you decided to congratulate him. "Congrats little bro. It's been a long time coming." You hug Lando tightly but then he pulls away feeling your 15 week baby bump.

"Y/N are you pregnant?" Lando asks still on his high of happiness, you nod yes and Lando gets more excited. "YES THIS IS THE BEST DAY OF MY LIFE!"

"That's why she hasn't been coming to the races because we wanna make sure the baby is safe." Oscar explains to a very happy Lando.

"My doctor finally approved me to travel to certain countries. I'm making a comeback to where I belong." You smile as Lando hugs you one more time.

****

The next race you went to was Emilia Romagna Grand Prix, you were currently 18 weeks pregnant. You decided to stay in Oscar's private room since you wanted to ditch the crowds.

Once the race was over and the crowds went home, Oscar, Lando, and Charles with Alexandra came into Oscar's private room to see you. You had messaged Alexandra earlier telling her you wanted to catch up with her and meet baby Leo.

"Hey Y/N ..." Alexandra stops talking after seeing your growing baby bump. "OH MY GOD YOU'RE PREGNANT!!!" Charles finally comes in with baby Leo in his hands.

"You understood the assignment." Charles smiles at Oscar and gives him a side hug. "Congrats my friend."

Your celebration of happiness was interrupted by a Spanish man knocking on your door, "Lando where are you?"

Lando opens the door wide to let the Spanish driver in, "What's up Carlos?"

"I just wanted to congratulate you on getting 2nd. It was one hell of a fight." He smiles at Lando until he looks around and is confused what's going on. "Why are you guys here?" Asking Charles and Alexandra.

Alexandra, happy for your bundle of joy says, "Y/N is pregnant. Isn't it exciting?"

"It is," you smile at Carlos with your pregnancy glow radiating off you. "Oscar was so excited when we found out we were going to have a baby girl. As soon as we told Lando about the gender, him and Oscar were online shopping on the couch together." You look back at Alexandra telling her about your pregnancy.

"My niece needs to have the best of the best. Oscar and I were looking at the McLaren merch to see if the factory can make baby versions of it." Carlos didn't care what Lando was saying because all of his attention was on you. Oscar's hands were wrapped around you and your midsection. "Carlos are you listening?"

"Yeah," Carlos coughs. "Congrats on your pregnancy Y/N and Oscar." Carlos says and leaves the McLaren room.

Shirts off, and your friends lift you up over their heads Beer sticking to the floor Cheers chanted, cause they said There was no chance, trying to be The greatest in the league Where's the trophy? He just comes running over to me

It was the end of the Monaco Grand Prix, Charles had won the race and Oscar was in second place. As soon as Oscar parked his car and ran out to you so he can hug and kiss. All cameras were on you two as this was the first time you were showing your baby bump to the public. Before Oscar went up to the podium, he kneeled down and kiss your baby bump.

The rest of the McLaren plus Lando, lifted Oscar away from you so that he can get to the podium. There Oscar and Charles got their trophies while you and Alexandra were smiling happily at them. Once the national anthems were played, the drivers got to spray each other with champagne.

There's no chance to be the greatest in league due to Max's dominance in F1, but you knew Oscar was on a high right now in life. From getting married, to soon having a baby girl, and now getting his first podium of the season. Life was just beautiful.

These blokes warm the benches We been on a winning streak He jokes that it's heroin but this time with an "E"

Once Charles was done with his post race interview, the interviewer starts talking to Oscar. "Congrats Oscar on your first podium of the season and becoming a father soon. It's amazing how these two happened weeks apart."

"Thank you for the congratulations. From getting married at my home country, to finding out we'll be having a baby girl, to now getting my first podium of the season. I'm truly on a high with life right now." Oscar smiles at the camera knowing that you're watching the post race interview with Lando.

"Right now McLaren is in 3rd place for constructor's standings compared to last year's standings at 6th place. Tell me what you and Lando are doing for the team." The interviewer asks.

"Well Lando has been on a winning streak getting podiums after China but to be honest we're not doing anything different. It's all my wife's doing. I joke with her that she's like heroin but this time with an 'E' at the end." Everyone except for Carlos in the room laughs at Oscar's little joke.

"And soon you're going to be having a baby girl." Charles adds to the conversation. "You'll have two lucky charms on track." They both smile at the interviewer before they move on to Carlos' interview.

This happens once every few lifetimes

yourinstagram this happens once every few lifetimes 🌊 ✨

tagged oscarpiastri

oscarpiastri thank god for the alchemy or else our love would've never created this ✨

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taylorswift congrats mama can't wait to meet her

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user1 mother swift approves of oscar and y/n using the alchemy lyrics 🥹

user2 MOTHER IS ACTUALLY BECOMING A MOTHER AHHHHH

mclaren BABY PAPAYA COMING SOON 🥺👶🧡✨

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oscarpiastri baby papaya coming soon 🧡

tagged yourinstagram

mclaren baby papaya is already so loved by the mclaren family 🥺🧡

liked by author and yourinstagram

racerbia yay! i get to be a tita aunt to a little papaya 🧡

liked by author and yourinstagram

landonorris IM CALLING DIBS ON BEING THE GOD FATHER

yourinstagram i already picked a god father and it isnt you landonorris WHAT DO YOU MEAN IT ISN'T ME? charlesleclerc it's me and alex landonorris WHAT!! @/yourinstagram @/oscarpiastri say sike 😭 oscarpiastri she's messing around with you of course your the god father landonorris thank god 😅 charlesleclerc have another one already so i can be the god father to that one yourinstagram LET ME HAVE MY BABY FIRST

user1 not lando and charles fighting over who's gonna be the god father 🤣

user2 i love how they’re calling the baby "baby papaya" instead of "baby piastri" 🥺

f1news BABY PAPAYA COMING SOON: After Oscar's first podium of the season, the couple has announced that they are expecting their first bundle of joy weeks after getting married. The driver had made it know that Y/N Piastri, his wife and teammate's sister, was expecting after running to her before he went on the podium.

Congratulations Mr. and Mrs. Piastri on your bundle of joy!

user1 OSCAR MOVING IN THE FAST LANE WHILE CARLOS IS GETTING HIS HEART PUNCTURED LIKE HIS TIRE 🤣

user2 wonder how carlos is feeling after seeing his ex fiance go from getting married to now being pregnant in a span of a few weeks

user3 who cares because he missed his shot of having this in his life

user4 did you see that carlos was about to cry while oscar was talking about y/n and the baby? 😭

tagged: @omgsuperstarg @splaterparty0-0 @2pagenumb @c-losur3

[noneorother]

The grand unified theory of Good Omens S2 - A Detour! We all misunderstood the Bentley scene, and it's going to blow your mind. *Part 5*

Part 1 l Part 2 l Part 3 l Part 4 l Part 5 l The End?

Welcome to the Bonkers Meta Series featuring your favourite Art Director/Clue detective. I have to take a detour around Crowley and the final fifteen, so sorry!

So I'm still trying to wrap my head around WHY the Bentley changes in Scotland, but I think I've worked out what happened in the Bentley as Crowley drives away in the final scene of S2E6. Lots of people have speculated that the music is a last ditch miracle message from Aziraphale, or even the Bentley sticking the boot in, or trying to be consoling. I think it's a gut punch for Crowley, but also... a ✨Clue✨! So we know from the S2E3 that Aziraphael has "trained" (?) the Bentley to play his music that stays his music.

And the next time we hear music in the Bentley it's "Something modern", as Shax is threatening Aziraphale that she knows where Gabriel is. Aziraphale is now making this face :

Also known as the OHSHITOHSHITOHSHIT. But then the credits roll, and we are introduced into the 1941* Minisode directly. Which is quite weird, considering the other two historical flashbacks we get are preceded with Aziraphale interacting with something and then *remembering* because it jogs his brain. If we roll over the 1941 Minisode we get this scene directly after it. Aziraphale is parking the Bentley and makes this face.

Also known as the Wasn't that a fun jaunt. And then precedes to NOT TELL CROWLEY ABOUT SHAX. It's like he's forgotten the threat ever happened. So the Bentley goes back to where it was parked after being scolded, and no one uses the radio again (Crowley does drive it but there's no music playing at the beginning of S2E5, my bad!). No one has used the radio since Aziraphale got out of the car in the end of S2E4. So here's the bonkers part.

I think Aziraphale played A Nightingale Sang in Barkley Square to calm himself down on his way back to tell Crowley about Shax, and it triggered the Minisode/memory about 1941. Then when Crowley drives his car for the final time, the radio starts up where Aziraphale last left it when he parked it before the ball.

So Crowley is hearing that when Aziraphale was driving back from Scotland, he was playing their love song. Which he really can't handle right now, and turns it off.

BUT BUT BUT. How do I know it's their love song? If I'm right about it triggering the 1941 minisode/memory, then that means that the song was a record of that story, just like the book of Job or Aziraphale's journal, but it's been erased. Want to know which scene in S2E4 HAS NO MUSIC?

Yeah that's what I thought. Not a date my ass. ___________________________ *If you want, I have more on the 1941 Minisode and it's altered state in Episode 2 of this series.

[anastacialy]

actually, fuck it, i AM writing the essay, even if no one will read it.

my thoughts on penelope, how she sees herself, and why the carriage scene's ending is the most important thing in the whole wide world under the cut. and bridgerton season three part one spoilers, obviously.

penelope featherington hates herself. bit of a strong start here but, there we go. that's what you get when i'm going feral about her again at three in the morning. (it was eleven a.m. when i finished writing this post. i rewatched all four episodes of season three...)

i'll start from the beginning — she isn't a confident person. i think that's what a lot of penelope hate really comes down to, not relating to her in that way at all. not understanding what being treated the way she has can do to you. so let's start here:

imagine for a moment, no one fucking listens to you.

this includes her favorite people in the world. her family, for one thing, that's obvious, but her best friend, too. many times we hear eloise discover and re-discover what penelope's interests are in the series because, as she says, "i didn't really hear it." she was so frequently not really listening to her. they've been friends for years, but huge aspects of her friend's personality were completely unknown to her. this isn't anti-eloise by the way, i love her too, but we're adults who can admit our favs are all flawed people. the show wouldn't be nearly as fun if they weren't. eloise continues to belittle others for their interests when they don't match up to hers (like that poor girl who was just really passionate about embroidery) and she's done so to pen, however unknowingly, for ages.

penelope tried to beg marina to not fool colin into marriage. she had so, so many other suitors, so many other choices she could have made. all pen wanted was to not have her other best friend slash crush make that life altering of a mistake. but for this, she was called a child. immature. talked down to as if she knows nothing about the world. (she had been mostly right, by the way, in her insisting that george must still love marina, would still want to marry her, discovering that the letter had been forged. if he'd not died on the battlefield, penelope would have been the one to secure a happy ending for marina.) when she wasn't listened to then, she got more desperate, telling colin that marina was in love with someone else to deter him from the marriage while still careful to not ruin marina's reputation and expose her pregnancy in the process. she tried. but no one would listen.

so only when the situation became dire, she did the only thing that she could, and took matters into her own hands.

which brings us to lady whistledown.

it's interesting, really, that she chose that name. to specify lady so she might be taken seriously, yet not hide under a pseudonym completely removed from herself (i.e. using a masculine pen name or implying she's not a part of the ton at all) it's clear that lady whistledown is, for the most part, what penelope wants to and yet fails to be: someone who commands attention, who people admire and trust for an opinion, someone who gets listened to.

by the time we find her in season three, she's fresh off hearing her crush saying he'd never, ever court her, and her best friend finding out that she was lady whistledown all along and had exposed a secret of hers — only after penelope had, of course, also begged eloise to stop seeing theo, to stop raising the queen's suspicions, and was once again ignored. her only friendships have been destroyed, and she has resigned herself to a loveless marriage of convenience because she can't stand to be ignored, controlled, and belittled by her family any longer. she's ready to take the devil she doesn't know over the devil she does.

so, when i say her self confidence is on the floor, i mean it.

yes, a sliver of hope remains in her, and we can see that in her decisions (wearing parisian fashions, for instance) but her plan remains, she is simply going to marry someone, anyone, because she has to.

but even still, her confidence has not taken it's last hit.

let's imagine some more: no matter what you do, people are going to laugh at you.

penelope finally, finally gets her big moment. people stare at her as she enters the room. she still immediately hides herself in a corner because that's who she's always been, but still. she has a moment. not quite what she'd imagined, i'm sure, as she bought all new gowns, but attention and awe nonetheless. but it cracks almost instantly when her social awkwardness comes out, failing to get anyone to ask her to dance, and shatters completely when cressida destroys her dress before she can ever take to the floor.

colin tells her she looks nice, and her immediate reaction is "do not mock me, please."

it's only after this that she confronts colin about what he said, only after this that she speaks ill of him as lady whisteldown — not saying any more than what his sister had already pointed out earlier in the episode, mind you, that his change in personality seemed disingenuous — only after she has been publicly humiliated that she lashes out in her anger.

and, this anger, she also immediately regrets after colin has proven himself to be kind. it's a bit like making a snide comment online without the ability to delete it after.

but when penelope has hope, she is kind. she writes of the promising ladies of the ton and wishes them well with their matches, when she has hope she speaks positively of would-be spinsters and their successful marriages. many of her earlier musings in previous seasons were to call the women of the ton beautiful, to speak to their skills.

but hope for penelope does not last long. she manages to successfully speak to one suitor at the next ball (which, though this is another argument entirely, is backed by a string quartet version of "jealous" as colin re-approaches her at the drinks table — any arguments that his feelings start at their kiss isn't paying near enough attention) but the entirely true rumor about her having help from him spreads through the vine and penelope is hopeless once more.

and a hopeless penelope is a cruel penelope, as we've seen, and this time, she turns that cruelty inward, publicly. while she later says it would have been suspicious if lady whistledown hadn't commented, in truth, she has proven time and time again that her emotions rule lady whistledown's writings. in that moment, eyes tearful, she was embarrassed and ashamed of herself, she decided to say so. she repeats the same sentiment to colin when he comes to visit her:

"in truth i brought this on myself. a sad, stupid girl who believed she might actually have a chance at love."

and here is where lady whistledown continues to be someone penelope sees as different to herself, because penelope doesn't see herself as a lady. not just for lack of title — she does not see herself as worthy of or requiring protection. to call back to antony's season one romance: "every woman is not afforded such gallant protection." "every woman is not a lady."

she says nothing of him bribing her maid to give them time alone. like most of the ton she doesn't think the time they spend alone together could be anything other than platonic, at least on his end. they spent extended time unchaperoned at the bridgerton house and not once did she speak on impropriety. he'd been alone with her in the previous season and even when they were caught no one had a thing to say about it. no one questions it because penelope is not recognized as desirable, not seen as needing this protection, not seen as a lady. she is seen, even by herself, as a spinster already.

when she asks colin for a kiss, she reassures him that she would ask nothing of him for it, she would not entrap him in a marriage citing impropriety, she doesn't even think about whether someone might see. she does not care in this moment if she is to be "ruined," she only wants to feel some illusion of intimacy, some imitation of being wanted. even her running back inside immediately after, and the subsequent conversation under the willow tree, are further proof that she doesn't believe he could have kissed her for any reason other than pity.

and, even after all she goes through with lord debling, she is still not the only object of his affections. the entire time she pursues him, cressida is there, hot on the trail, ready to sweep him away on a moment's notice. penelope writes of their dance that his choice of her is surprising. though her feelings for colin have not simply fluttered away once debling's shown interest, her possible engagement to debling is on a wavering tightrope. not once in this can she feel wholly at ease with lord debling, only afforded a bit of security once he asks her mother for her blessing. and amongst this, her mother still belittles her, saying she should not become greedy for wanting to marry someone who actually cares for her.

she asks lord debling if he might ever love her, in all the years of marriage they may have ahead, and he says probably not.

and when colin breaks up her proposal, insisting debling isn't right for her, still penelope does not even consider, can not even conceptualize that it might be done out of jealousy. colin having feelings for her is laughable, she says as much, and it is the same thing she has been told over and over since the start. he chases after her carriage out of breath asks to be let in, gets on his knees and tells her he can't stop dreaming of her and she tells him "please. do not say things you do not mean." she cannot imagine that any of this is real. it is confusion that prompts her to repeat the agreement they had in episode one, "but, colin, we are friends."

and while an entirely separate essay could be written about the rest of the carriage scene, it is what happens the moment the carriage arrives at bridgerton house that stands out to me. they have this moment, colin asks "could the carriage driver not keep on driving?" and they both laugh, the way they always do with one another, and he fixes her dress (carefully, avoiding using a select few fingers as he does so) and they kiss again, and he gets out of the carriage.

and for a single, heartbreaking second, penelope's face falls, and she calls after him: "colin?"

it is so clear in her demeanor that she thought that was it; that's all she gets. the fantasy is over and it is back to reality. for a split second, she believes he is no longer hers.

for a single second, it's as though she thinks he is going to shut the carriage door on her, and walk away.

but he turns around, hand outstretched, asking if she'd like to come in. and she's once again confused, "what?"

do not say things you do not mean. do not mock me please.

and when he says: "for god's sake, penelope featherington, are you going to marry me or not?"

she looks so relived she could cry.

[melanieph321]

Dominik Szoboszlai x Black Reader - First Sight Part 3/8

The party

The face of distress 😅. What did Y/N say to him?

⚠️Warning ⚠️

18+

This story is about the night reader met her boyfriend Dominik and the series of crazy events that led up to the beginning of their love story.

Enjoy!

"So...do you have a boyfriend?"

You had been walking for a while, through the city, all the way downtown. As you were about to ask Dominik if this was him kidnapping you, those words left his mouth.

"A boyfriend?" You smiled.

"Yes, do you want one?"

"I thought you asked me if I had one?"

"You took too long to answer, which means you don't."

"Wow." You laughed. His arrogance was unmatched.

"Yeah, so we should just stop pretending like we don't want to fuck each other and just do it."

Your steps altered, followed by a sassy finger waving in his face to make things clear. "Trust me Nikki..." He cringed at your new nickname for him. "I have no intentions to fuck you."

He chuckled. "Not now you don't. Later."

You snorted. "In your dreams."

"That was you, wasn't it?"

You rolled your eyes and turned your back on him, walking in the opposite direction.

"Oh come on, Y/N! Don't tell me that you can't take a joke?"

Perhaps it was a joke, but your feet were starting to hurt from all that walking.

"Come on Y/N, I was just...." He ran to catch up with you, grabbing your arm to prevent you from leaving. You jerked it away, an appalled expression on your face.

"Sorry." He said, face faltering.

The evening was quiet, a distant thud heard from one of the brick buildings down the road.

"I should go back." You said, only now thinking about Tara and how you left her in some random apartment with two guys.

"What about the beer?" Dominik said, clearly not wanting the night to end. "My friend, he lives just down the road. I promise we'll be quick."

His offer wasn't as compelling to you as turning back to get Tara, however, that damn spark...

Turns out that the loud thud you heard coming from down the road was actually the base of a speaker, blasting nothing but French trap music.

"Ibrahima!"

"Szobo!"

Dominik did not hesitate to knock on the house hosting a crowded party. Apperently it belonged to his friend that was meant to hook you up with more beer.

"And I see you brought a friend." The guy called Ibrahima said. He had a friendly smile and wanted nothing than for the two of you to join the party.

The vibe was unmatched. People were dancing and drinking, all around enjoying themselves. With a hand to your lower back, Dominik guided you towards the kitchen. There his friend was seen unboxing two bottles of Bacardi and placing them on the kitchen island between you. "Is this enough?" He asked Dominik.

"I said we needed more beer mate, not a blackout."

His friend laughed. "You're here for a good time man, beer won't assist you with that. The ladies know what I'm talking about, no?"

Dominik's friend spun the cap on the bottle and poured you a shot, sliding the glass over to you. You hesitated, but eventually brought it to your lips, emptying it in one go.

"Wow." Dominik looked at you with wide eyes as you didn't even wince.

You shrugged. "I was thirsty."

The rest of this part of the night would later be a blur to you. As Dominik's friend poured the two of you another round of shots, followed by another round. You were only left wity faded memories of hands roaming your body, pulling you in by the waist and pressing your back against someone's hard front. You surrendered yourself to the waves of the music, a playlist including the greatest afrobeat hits. Songs that made your hips roll against whoever was pinning you against them.

"God, you're so sexy."

His voice was at your ear, whispering nothing but erotic nonsense.

"Fuck, Y/N, you feel so good against me. Can't you feel it? Tell me that you feel it."

"I feel it." You whined. Eventually the flashing lights revealed that it was indeed Dominik, who's crotch your ass was grinding against. He turned you over, pinning your back against the nearest wall. He bent down to kiss you and the first taste of him caused hysteria within yourself.

His lips were soft and well moist, perfectly attached to the crease of your neck. But imagine what more they could do and where.

"I wanna fuck you."

"Yes." You nodded. "Please."

You were dragged to the nearest bathroom, not the classiest place to get dick down in, nevertheless, Dominik had you bent over the bathroom sink, lifting your skirt up to expose your pink thong.

He chuckled

"What?" You quickly got insecure, no longer bending over against the sink.

Dominik brows furrowed. "What?"

"You laughed at me. Did I do something wrong?"

"What, no?" He seemed confused. "Of course you didn't, you're perfect." He took you in, cupping your chin and pulling your lips against his.

You were balancing yourself on your tippy toes, struggling to meet his height. Dominik hands went to squeeze your ass, making you gasped against his open mouth. "Dominik?" You were panicking a little, knowing where things were headed.

"Y/N, don't talk so much. Just let me fuck that pretty little mouth of yours."

You felt his erection grow stiff against your thigh, as well as his fingers that hooked around the lace of your panties, searching for the entrance to your...

"Dominik!"

He stopped, not too drunk to hear the panik in your voice. "You okay baby?"

You were flushed from all the kissing, your lips tender and plumb. "You should know." You said, struggling to catch your breath.

"Know what?" He removed a curl that was irritating your eyes.

"You should know that I've never..."

"Yes?"

"I've never...."

His lips curled into a smile. "You've never what Y/N, had sex? You can tell me, I won't judge."

You gather your courage and swallowed. "I've never been with a man before, only women."

Dead silence followed.

Dominik didn't judge you, but he sure enough wasn't smiling anymore.

[ghostyclay]

Since yall seem to like my other AUs/headcanons, I've decided to rant a bit about my 'main' one :3 (kept vague to avoid spoilers)

Small summary: (more indepth rant below)

it's a villan & hero hermitcraft / life series / empires au, focused on bad boys (at least during the first arc). Joel creates a bar as a cover for a fighting ring/information selling business, joined by pearl effo gem grian and jimmy. Grian refuses to participate in the criminal activities at first, but doesn't rat them out either. (inspired by his resisting the resistance thing in s9)

However, as u can probably guess, this doesn't last long and he slowly gets more n more involved, especially once random people mysteriously start getting "the red curse", which he recognizes from his past... (hehe watcher lore) Grian continues to pretend to stay uninvolved while trying to keep the Watchers at bay behind the scenes, even going as far as creating multiple alter egos / secret identities in order to hide his involvement.... (poultry man, cute guy, mother spore,...) Sadly, the Watchers think identity reveals are incredibly amusing and make it their mission to reveal Grians secrets... :)

Now, lil poll bc i wanna know yalls preference:

Im not a very experienced writer, so I can't guarantee the fics would be any good- while i def prefer comics, it would take a long ass time and I'm not sure whether its a good idea since i tend to loose interest in projects p fast wkdhakdj

Still debating what to name it, I think ill call it "Web of lies", "Wolau" for short LMFAO. Im not very good at naming things 😭 suggestions are welcome!!!

Some more background info:

Joel is a fairly new villain who has decided to start a business focused on fighting rings, selling information and just generally doing criminal stuff. (inspired by his secret fighting club in s10). He hires Gem and jimmy, two ex-vigilantes who became a bit more... Villainous. Their cover is a normal bar, which ofc means they also need normal employees who won't snitch. Jimmy suggests Grian toJoel, since he's a retired informant. He basically started out as an investigative journalist in another city, but got more n more involved with both villains and heroes (which is how he knows jimmy) before joining a cult (watcher lore watcher lore watcher lore-) and suddenly dissappearing.

Although he went missing a few years ago, they manage to track him down. He joins, but tells them he's not involved in the world of villains anymore and that he wants to stay out of everything (so hes basically working in the bar that they use as a cover as a 'normal' employee and turns a blind eye to anything criminal going on)

That's kind of the start of the story? Afterwards, Pearl, a villain who used to be a vigilante that worked with Scott (<-number one hero), then got betrayed by him and is now plotting his murder, joins in. Later on etho joins, who is originally sent by the hermits as a spy (<- p big villain&vigilante alliance in the city) but ends up deciding to side w/ them. (BOAT BOYS BOAT BOYS BOAT BOYS-)

(pearl & Scott's conflict is ofc a double life ref and etho is a mycelium resistance ref, he also ends up finding out about some of grians secrets and helping him behind the scenes)

Although its focused on the members of the bar, later on it focuses more on other hermits (since they get more involved w/ the villain group "hermits" which most of the hermits are a part of) but there's also some side stories that focus on other ppl (there's a whole side story about Ren and Doc getting to know each other after Ren gets infected by the curse, or martyn whole listener thing & how it's connected to renchanting/ren getting cursed and the Watchers showing up in the first place... But i dont wanna spoil too much :3)

Oh also! Hermits r mainly criminals(vigilantes, villains, big salmom mafia,...) and Empires members r usually heroes! But there is some exceptions to this rule. (jimmy n martyn for example)

ANY KIND OF QUESTIONS OR SUGGESTIONS R WELCOME!!! might not be able to answer everything bc of spoilers, but ill def try to do some foreshadowing instead :3

[browniefox]

Undertale/Deltarune FanComics

I put out a post for some UTDR comic recs, and I've decided to compile them all here, both so that I can easily access them as I make my way through, and also so that anyone else who is interested in it can also check it out :D I've provided brief descriptions next the ones I could uh quickly find descriptions for or knew personally, so if you notice one you know that's lacking a descriptions, tell me and I'll add it.

Also if you think this list would benefit from further categorization in some way, let me know! Right now it's a bit of a mess and overwhelming lol.

I'll also be updating this with new (or old lol) comics if anyone has more suggestions!

Edit: I’m making a collection blog, @utdrlibrary, that way one can go through the posts for which comic sounds interesting, instead of scrolling through a messy list lol. I’m still working getting the comics from this post up on the blog

(a 🌟 next to a comic means that I have personally read and recommend it ^-^ )

Undertale

Aftertale by @loverofpiggies - Complete.

🌟 Darker yet Darker and the sequel Second Son of Gaster by @sansybones - Sans' creation, how he came to be and find his abilites, and his relationship with Gaster and Papyrus. Complete.

🌟 Over the Void by @undertale-over-the-void - Post-Undertale. Frisk, Asriel, and Monster Kid end up travelling to a strange alternate universe where the war with humans seems to be ongoing. In Progress.

🌟 Dogs of Future Past by @lynxgriffin - Post-Undertale. Trying to find Gaster for Sans' sake, Frisk travels to the past with Flowey, and stuck in the body of one of the dogs that make up Endogeny. Complete.

Under/source by @slylock-syl - In Progress.

Ask Fallen Royalty by @askfallenroyalty - An Everyone Lives au. In Progress?

Ask Frisk and Company by @chamomilekitten and @comikatva - In Progress?

Ask Chara and Friends by Miamouse - In Progress.

The Thought by @tratserenoyreve - Sans uses the souls. Complete.

Mercy by @renrink - Frisk, Sans, and Chara during the San fight? Complete.

You Are Not Welcome by @rumay-chian - Based on the ending of a neutral run? In Progress.

Shifter Au by @audaciousanonj, @leshyleaf, and @wilwoo (I think? There's a lot of names on this blog) - Papyrus (the older brother in this au) gives up his form to a shapeshifter who he hopes will raise Sans better than he is. In Progress?

Inverted Fate by @megaderping - A roleswap au. In Progress.

Underline Au - okay so I remember reading some of this, but the blog (@/underlineau) pulls up strangely and my browser says there's something weird about it? If anyone knows why that is let me know.

Ghost Switch by @clevercatchphrase - Switches Narra-Chara with uh someone else? In Progress.

Fallen Flowers by @tarableart​ - In Progress.

The Old Monster of the Ruins by @knking​ - Asgore Dreemurr, an old monster that take cares of the Ruins and the humans living in it. Complete?

Name the Fallen by @namethefallen - Papyrus went to sleep in a race car bed and woke up in a flowerbed and is trying to find out what happened. In Progress?

Storyshift by @ut-storyshift - I was unsure exactly what to link for this, or if it is even currently a comic? I think it's a fic now. In Progress?

Altered Destiny by @altereddestinyau - Discontinued?

Entity Neo by @entityneo - In Progress?

🌟 Unexpected Guests by @undertalethingems - Papyrus summons the full form of his Blaster and can't get it to go away. Shenanigans ensue. In Progress.

They Say He Shattered by @emilyparagraph - Neutral Routes start colliding with each other. Discontinued.

The Bar of Sanses series by VanGold - A bar for various Au Sans to visit? In Progress?

Heart and SOUL by @auroragriffon - Sans' and Toriel's daughter ends up in the Underground of the past. In Progress.

Duotale by @ask-duotale-b2fc - An au where it's a different child who is the 7th child? In Progress.

Horrortale by @horrortalecomic - Post-Empress Undyne Neutral Route. A new child has fallen into the Underground, and things have gotten bad. In Progress?

🌟 Handplates by @zarla-s - Papyrus and Sans, creations of Gaster, from creation to and through canon (I'm still catching up lol). In Progress.

Deltarune

🌟 Paper Trail by @lynxgriffin - Canon-Divergent take on Deltarune after Chapter 1 of how the story could've gone. Complete.

The Chara Timeline by @lilybug-02 - Chara is Asriel's college roommate. They're both in Hometown visiting from college. In Progress.

Looking Glasses by @ferronickel - Susie, Ralsei, and Lancer, two years after Deltarune. In Progress.

🌟 Gaster's Great Escape by @moldyjunk - Gaster trying to get back to reality, in Deltarune. In Progress.

🌟 Twin Runes by @akanemnon - Frisk somehow ends up in Deltarune. Mostly rn funny shenanigans but seems to be heading towards story.

[eukarisparadise]

There's something I really needed to get out of my system for the long time, and I understand that many have probably said this before.

Look, I adore MTMTE. I respect Roberts as a writer and he made an absolute masterpiece that changed my life (literally, I've met my life-long friends over this comic) and I think that he did a fantastic job in terms of plot-twists and character development.

However, what he did specifically to Rodimus was... uh.

I know that the entire IDW universe is, essentially, a one big anthology of the works of various authors, who, let's be honest, didn't always read each other. That's how, I believe, we got an MTMTE Rodimus, who does things... that feel so unnatural to him that you can't help but wonder, what was really the reason for doing so.

When I started reading this series, I asked my friends, what do some of his actions mean – «why the hell did he even agree to take Overlord?»; «why would he allow Drift to take all the blame on himself?»; «HOW DID HE ACCEPT MEGATRON ON THE BOARD??» – and their answer was... nothing. Nothing essentially to explain here, because the only reason for these and many other of his actions I could think of, is:

Roberts needed the plot to happen. And for that, he sacrificed Rodimus's already established character integrity.

I don’t remember which comic it was in, but I vividly remember one scene from some other, not connected to MTMTE series: Optimus (as usual) refused to kill Megatron and Rodimus, his face twisted with rage, started torturing Megatron with electricity. You mean to tell me, this guy would listen to anyone and let him on the ship? You mean to tell me, he wouldn't kill him on sight the second they make the quantum leap from Cybertron, trial or not?

And, although I don't like Getaway and the way he left the entire crew with DJD, but Rodiums I got first familiar with would be just thrilled to hear all of his ideas on how to creatively get rid of Megatron, because- no, literally, what the hell was that?

Okay, I understand the fact that I'm biased. I live in a country that's currently under siege, and I share the internet space with people who, in the safety of their homes, sometimes are still choosing to humanize and sympathise with a crazy fascist dictator that would be glad to wipe them out like he does with us. I acknowledge that that's alters one's perspective a little bit. But the entire Cybertronian race (AND MANY OTHERS – let's not forget countless organic civilizations that endured genocides after genocides in Megatron's colonial expansion) had to deal with this guy for four million years.

And I get that it probably wasn't entirely Roberts' fault – IDW publishing had the universe ending planned beforehand and that's why the entire «Lost Light» sequel felt so rushed. But are you seriously implying that MEGATRON, of all people, could be reformed by one fun trip? And forgiven not just by the crew – but Rodimus and Ultra Magnus specifically??.. Mind you, they already made their mind on him before the sequel – and it absolutely wasn't the one that they would make if they weren't so heavily OOC'd.

I hate the fact that the plot just wouldn't happen the way it did without this forced character dumbing. I hate it, because I love MTMTE story, and its crew, and its captain. And its lessons. But the way of teaching these lessons sometimes makes me want to throw in a towel, because no. I refuse to believe that someone who's entire life was defined by the want to be the leader his friends wanted, could do this many mistakes that lead to their hurt (and both allowing Overlord AND Megatron, were such mistakes). So, I choose to continue to be delulu and pretend that none of this happened – and they never returned to Cybertron as well, and they achieved something more. Don't blame me, I know you all are doing the same.

[tokiro07]

Undead Unluck ch.230 thoughts

[Big VIC is Back in Town!]

(Topics: art - visual metaphors, thematic analysis - perspective/tragedy, character analysis - Victor, lore analysis - Negators)

Reunited and It Feels So Good

Artistically, I think this might be the most beautiful chapter in the entire series. The imagery of Julia literally entering Victor's soul through the wound she inflicted, his happiest memories floating by on hazy film screens until finally she arrives at the start of it all, only for the screen to shatter and reveal the stairway of Victor's descent into isolation and despair, with a young Victor, his true self, waiting at the bottom, flanked by the motivations of his and Juiz's mutual love...what else is there to say about that sequence than simply that it's gorgeous??

And for this younger Victor to look at Julia, see how much Juiz has changed, but still smile and call her partner, is proof that the most fundamental aspects of Juiz have not been lost. After all, who would know Juiz better than Victor?

This new Juiz, with no connection to all of the joy and pain that her past self had experienced and endured, went out of her way to find her way to Victor and tell him that even here, when it seems like he can finally die, that she wants the ending to their story to be a happy one...of course he realizes that this is still Juiz. The Juiz that he doesn't know yet does know

I've talked before about how one's soul is telling of how the view themselves - Fuuko is still her short-haired self with Gina's jacket tied around her waist, Haruka is still the little girl who lost her grandfather, etc., but this is the first time we've seen someone update that sense of self. When Julia takes Victor's hand, his young, thin arm immediately bulks up, accepting all of the struggles that made him as strong as he'd become over the eons so that he could use that strength to continue fighting for his partner, but this time retaining the glowing grin he used to sport when around her

This is what I mean when I talk about this cast becoming complete. The best traits of his past self and the best traits of current self have come together to make Victor's absolute best self. Gina's philosophy on change becoming flexible rather than reversing, Feng's acceptance of age while still striving to reach the peak; Undead Unluck's reverse character development style is not about undoing what has been done, but finding the balance between one's old and new perspectives

What's particularly fun about this is that, in Victor's case specifically, perspective is a major part of his character arc

A New Take on an Old Classic

It was during the Andy vs Victor fight that we first learned that Negator abilities could be altered through interpretation; in Andy's words, the key to Negator abilities is "all a matter of how we perceive the Rules," and for Andy, Victor was the embodiment of that concept, as the two of them had different takes on what it means to die in the first place

Victor is, quite literally, Andy with a different perspective. They both clearly have the same core personality, but that personality was shaped by radically different experiences, which in turn gave birth to radically different philosophies

Back then, the dividing line between these philosophies was in the sense of logic they used for manipulating Undead; for Victor, he used it to manipulate his body, the part of a person that can die, but for Andy, he used it to manipulate his soul, the part of a person that can't die. However, this still wasn't the key difference in their approach; where Andy realized it was a matter of recontextualizing the Rule itself, Victor simply moved his body as he pleased. Victor wasn't thinking about the implications of his Rule, he wasn't saying "technically that drop of blood is still my dying body," it was all just a matter of course

Victor evolved his ability through sheer brute force and experience using it, not self-reflection and careful introspection. In all of his eons of existence, Victor's soul is still the child from 460 billion years ago; he never let that base interpretation of himself change, never challenged himself to become anything more or anything else. Until now

Now Victor understands that the Rules aren't set in stone, that they aren't matters of fact. And as it happens, it's not just the Rules that can be examined, deconstructed and recontextualized, it's also the tragedies that make Negators and all people who they are

Tragic Origins

When Fuuko said that the world of L001 was too different from L101 for Unjustice to manifest, I thought she meant it in the sense that the structure was too fundamentally different, like the lack of UMA Sex or what have you. Instead, it seems that it's because of the context that Unjustice itself was originally given to Juiz under: as the first Negator, Juiz wasn't chosen by a predecessor, but by Justice itself

Moreover, the accompanying tragedy was surprisingly subtle, to the point that I'm not sure anyone involved even realized at the time what the cause was. While Victor was resolving to die, forget, and eventually remember Juiz, Juiz accidentally used Unjustice on him, forcing him to declare that he would instead become Undead, and thus cursing him to live forever

That context really was near-impossible to recreate in L101; all Negators have already been selected, and it is no longer within Unjustice's power to assign new Vessels. I suppose Unjustice could still manifest by forcing someone to commit an act they wouldn't, but the scale would be so different that it may not successfully resonate with Juiz's latent soul

Which is why Victor went out of his way to reframe Julia's actions

If I Could Do It All Again

As Victor said, he was about to fade away forever. Presumably, Andy and Fuuko used Unluck to target Victor with Death's scythe, separating the piece of Andy's soul that still held Victor's within it from Undead. Since they were two separate entities, Victor was no longer Undead, and thus susceptible to Death in the fading piece of Andy's body

By reviving Victor, though, pulling his soul back to the forefront of the Andy fragment, Julia forced him to lose his opportunity to finally die and thus continue his unending life. This is the moment that reawakened Unjustice, allowing both Julia to stop Soul's final attack and Victor to become Undead once again. The difference this time, though, is that Victor can live with a smile

Just like Andy, Victor now has something to live for again, a beacon of hope guiding him to a goal he once thought unreachable. It's tragic that he didn't get to die, but while tragedies are unfortunate, they aren't always bad. After all, remember what Fuuko said in ch.122? She was only able to meet Andy because she endured hardship. The same goes for Victor now: he is only able to experience this hope and happiness because of his repeating tragedy

Everyone experiences tragedy and hardship, but it's what we do afterward that defines us. Losses hurt, but it's our decision whether we allow them to break us or make us stronger. We can give up, we can pick up the pieces to fit them back together, or we can throw them out and build something new from scratch, but no matter which we choose, it's our choice

In L100, Victor gave up. He was broken and thought everything was unsalvagable, so he tried to force Juiz to give up too. But now in L101, even after her death, Juiz was able to start anew as Julia, and still fights to make something better. After seeing that, how could Victor not pick up the pieces and start again?

How could he not take the eternal tragedy of his immortality and negate it?

The Exception that Proves the Rule

While Luna's first appearance to Juiz and Victor was oddly underwhelming, her words were simply fascinating: Negator abilities were a glitch in Sun's Rule system, an unintended side effect to the creation of the UMAs. For Death to exist, then so too must its inverse: Life. For Movement to exist, then so too must Stillness; for Luck, Misfortune; for Justice, Amorality. These Rules are defined by how their states differ from and compare to their inverse, and those inversions needed to manifest somewhere

Presumably, Luna could have created her own set of UMAs, but instead she chose to implant these anti-Rules into the side effects of her own creation, Soul: humanity. This became the basis of the Gods' game: the UMAs that govern the Rules vs. the humans that negate the Rules

From there, humanity negated every expectation placed upon them. They found ways to extend their lives, to manipulate their fortunes, to grow beyond their tragedies. Humanity was always going to rebel against the Rules that God placed upon them, so it was simply perfect that Luna bestowed the Negator glitch upon them - it merely crystallized their nature into a more directly applicable form

Victor's ability to see his tragedy from a new perspective is the final evolution of this concept - the thing that makes him a Negator, the curse that has been put upon him, is now his hope for the future. Other Negators have taken this to heart as well, like Shen legitimately enjoying Untruth or Nico deliberately accepting Unforgettable to see the path to victory, but Victor is the first to look at the tragedy itself as a blessing, thus completely freeing the Union from the last element of the Negator system that was tying them down

Now all that's left to do is overcome the Rules themselves

Of course, that doesn't mean that this is the end already. I've mentioned before that Soul is certain to enter Phase 3, which will turn the tide back in the favor of the Master Rules, but the return of Undead Unjustice is a huge milestone moment for the Union. I sense the Bad News phase is coming soon, but no matter what happens, I know that the Union will overcome it

Until next time, let's enjoy life!

[ladyof1000masks]

So about the Fable reboot...

People (Fable fans) are being really fucking shitty to me because I have an unpopular opinion. I'm not trying to be a bitch, I mean no disrespect to the devs of the reboot, I fully plan on giving the game a chance, etc. If I don't get my way I'm not going to attack or harass the developers like the absolute fucking toilet sponges on Youtube attacked and harassed the trans-fem environmental artist for being the reason the PC is "ugly."

All of this because I believe that Fable isn't Fable without the world-building (historical characters and history) established in Fable The Lost Chapters and expanded on by "Tales of Albion" should be included in the reboot. I've clarified what I mean numerous times and somehow they're still misconstruing/twisting my words. I don't want or expect the base world-building to be 1:1, I fully expect and hope that they will evolve the source material.

All I want is the Old Kingdom, the Void, William Black, the Court mostly Jack of Blades to exist in the reboot. If Playground can't include it at the bare minimum then they should have made their own IP instead of skinning Fable's corpse and wearing it.

I see everyone saying Fable isn't Fable without "the moral choices," "British Humor, life-sim mechanics, good/evil morphing, etc" but they never include world-building.

A fantasy world heavily depends on its lore (history and historical characters), usually from the source material it's based off, to have a distinct identity. I play the Elder Scrolls series, not only for the features, but for the story, characters and lore which allows me to invest and immerse myself in a unique living world I can't get anywhere else. No other fantasy world is the same.

It's the same for Fable. Even if it has all the gameplay and humor of the originals, without the basic history of William Black, the Old Kingdom, the Court, and the void, it will never be Fable. Fable is its humor, its gameplay, its features, its lore/history and its historical characters. You can't extract one of these and still call it Fable which is why it baffles me as to why so few people care about the base lore. You say you want a Fable game, but you're okay with history, historical characters, and world-building being completely gutted?

That IS the source material. Do you mean to tell me the Fable reboot is still Fable without Fable? That's like saying a bologna sandwich is still a sandwich without bread.

 I expect Fable to be everything and have everything (to a certain point) from the originals but improved and evolved. As a writer, why the fuck would you wipe out pre-existing world-building and basic history to start completely anew? Firstly, you're creating a lot more work for yourself as well as increasing development time and costs.

 Finally, why wouldn't you evolve/improve the base world construct and adapt what already exists to make it yours? The base material has so much untapped potential that was never realized or properly explored. The Court and even Jack of Blades by himself were never utilized satisfactorily. Jack needed more development.

Motherfucker was the big bad (twice) and not only was he barely in the game, there was almost zero setup until near the tail end. "Surprise, bitch! It was me all along! Suck the end of my sword." There is SO much. I don't expect everything to happen exactly the same or characters not to be altered. To be clear, I don't expect any lore after TLC's base history and historical characters. So I don't expect the story of Fable ​1-3 (fuck Fable the Journey) to be reflected in the reboot.

[bookofmirth]

I feel like Sarah’s latest projects Acosf Hosab and Hofas have felt kinda different from the og acotar books and the throne of glass series, tho i don’t know if it’s maybe just me connecting them less. I was entertained with all three. Especially with acosf which I don’t think it suffered as much as the cc books. But in all three Sarah’s writing feels off.

Now I’m no specialist in criticising English books in depth but I think you said once you’ve studied literature and that’s why you make mostly analyses of the text.

So I was wondering what’s your take on this, if you’ve noticed it too or not and if yes why or how you believe the writing is off

I've been having a lot of conversations about this with people and we had different ideas, though none of them are certain.

I think that the crossover played to Sarah's weaknesses and took away from her time to write to her strengths. I think that she's at her best when she is delving into characters and emotions, and at her least effective when she's trying to do all this big plot and world stuff.

The points in her series where you can see people starting to wonder what the hell is going on, is where you can see her trying to manipulate the plot in order to set up other stories she wants to tell. The best examples of this are acowar and the acosf/hofas arc. acotar was originally going to be a trilogy and then she manipulated acowar to set up more stories. CC was going to be a trilogy until she came up with the crossover and decided to set up more stories. If she could just stick with her original plans, everything would go much better. The points at which she decides to expand the world or plot or characters, those are the places where she begins to falter. (Some people I think would include HoF in this, but I do not.)

Sarah's writing style is to not outline - she is on record saying that she does not do extensive world building, that she isn't good at it, that she doesn't outline, that she let's the story take her where it will. All of those are fine, valid ways to write! However, they make it nearly impossible for her to pull this crossover off successfully. You absolutely cannot go about such a massive undertaking and just bang out 100k words in a week, or whatever ridiculous pace she worked at this time, and have it make sense.

She is also on record saying that the crossover came to her while she was writing hosab. That means she was thousands of pages into acotar and hundreds of pages into CC before she decided to do this huge, series-altering thing. That's... not just poor planning, it's a recipe for disaster. This is why there are inconsistencies, the weird pacing, and dropped plots from hosab. It was too much and she's not the kind of writer who can take on those sorts of tasks and make it still compelling and cohesive. She just isn't.

One of my big concerns about the crossover was the genre shift - CC being urban fantasy and ACOTAR being high fantasy meant that it wasn't going to fit together. There was going to be some friction, no matter how good a writer took it on (and imo a better writer would have known that and not done it in the first place). It's not that it can't be done, it's just that both series need to have an equally strong foundation to work from. The world building in CC was much more intense than it was in acotar, and so trying to fit those two together was trying to fit a square peg into a round hole.

ToG never suffers from this because Sarah never tried to make it something it wasn't. She always had a clear vision of what kind of person Aelin was and why, and even though she doesn't outline, I would bet a lot of money that when she started writing ToG, she knew that at the end, Aelin was going to end up happy and on the throne of her own kingdom.

Also - and I'm sorry, I know that I am babbling haha but since your question was about acosf/hosab/hofas specifically, I do think that urban fantasy is not Sarah's genre. She clearly reads it, but... it's not the genre for displaying her strengths as a writer. All of the swearing and sex and drug use had me rolling my eyes constantly because she was just beating us over the head with how hardcore and adult the characters are.

So there are a couple of things, really, that made those three books feel off in comparison to the rest of them:

urban fantasy is not Sarah's genre,

the crossover took her energy and attention away from her strengths (emotion, character) and made her emphasize her weaknesses (plot, world)

It feels like we are watching her become a worse writer, and not better. I'm going to chalk it up to her experimenting a little bit with hofas and it not panning out. Optimistic!Lele says that now that this is out of sjm's system, we can go back to our regularly-scheduled emotional journeys with some magic stuff sprinkled in. Pessimistic!Lele doesn't trust sjm farther than she can throw her.

All of this has made me really nervous to read anything ToG-related that she might come up with in the future. I would love more ToG content from 2016 Sarah. 2024 Sarah? I'm honestly not that interested in more canon ToG stuff from her.

Sorry this got long, and I'm not even sure how cohesive all of this is, it's just been on my mind since I finished hofas!

[dominickeating-source]

TV Zone Issue 63 (2005)

Reed All About Him

As the curtain comes down on Star Trek: Enterprise, Dominic Keating talks with Steven Eramo about the show's final episodes and looks back fondly at his tour of duty as Lt. Malcolm Reed.

His favourite food is pineapple, he tends to be shy around the opposite sex, and he takes great pride in doing a job well done. Over the past four years, fans of Star Trek: Enterprise have gotten to know a bit about what makes the Enterprise NX-01�s tactical officer Lt. Malcolm Reed tick. Recently, he was even forced to reveal a part of his life that he'd previously kept well-hidden. But the lieutenant's TV journey has come to an abrupt end with Enterprise's cancellation. 

"I was in the parking lot of the YMCA when Rick Berman called to tell me that the show had been cancelled," says Reed's alter ego Dominic Keating, referring to the series' executive producer. "I more or less took it on the chin. Deep down, I think we all knew. It's quite sad, really. I mean, there are people I know at the gym who ordinarily wouldn't watch a show like Star Trek. However, because they know me, they've been watching and have become fans. Over the past few months, these people have come up to me and said, This year has just been incredible. They've been genuinely excited to tune in each week, especially as Enterprise seemed to have finally found its stride this season. But, of course, now it's all over."

There's no denying that the first half of Enterprise's fourth year was very much Malcolm Reed-lite. Except for his bridge scenes and the occasional rescue mission, the character remained off the radar. However, Keating was of the mind that good things come to those who wait, and he was right. "I did hardly anything in the first 11 episodes of this season," says the actor. "That said, they were terrific stories in terms of Star Trek lore, and I was just happy to be working. I'm not an actor who reads the scripts week after week and says, Is that all I get to do? I'm lucky in that I got off to a good start with Enterprise and had some neat Malcolm stories in the first three years. That sort of satiated my actors vanity and need to be recognized," he laughs.

"As for this season, things started to pick up for Malcolm with Observer Effect, in which his body is among those taken over by an alien life form. I had some fun scenes in that one, including the opening teaser where Malcolm and Ensign Mayweather [Anthony Montgomery] are playing chess. That was an actual chess game that Anthony and I played for every take. It was shot in a fairly wide angle so that you could, in fact, see each move."

Reed's other moment in the spotlight - albeit a very shadowy spotlight- came in the two-part story explaining the differences between the smooth-headed Klingons of the original series and the bumpy headed models of more recent years.

"I can't tell you how excited I was when I received the scripts for these two episodes," says Keating of the episodes which revealed Reed to be an agent of the black ops unit Section 31. "Funnily enough, I'd actually pitched a story not unlike it back in season one. It was an idea for a Manchurian Candidate-type episode apropos the Suliban. So when Affliction and Divergence came along I was thrilled that my character had this 'boiled sweet' as it were at the back of his mouth that nobody knew he was sucking on. I didn't even ring Manny Coto to ask for any backstory. I just figured that Malcolm was a member of some skull and crossbones society that he joined years ago and that it had now come back to haunt him.

"This was a solid story, very gritty, and a nice little arc for me. I thoroughly enjoyed the scenes I had with Scott Bakula, and Eric Pierpoint, who played Section 31 chief Harris, was a pleasure to work with as well. The two of us really hit it off and we had a lot of laughs together on set. Eric has guest-starred several times on Trek, including the year one Enterprise episode Rogue Planet. This season, his character of Harris recurs almost right up to the end. In fact, threes a scene in the episode that LeVar Burton directed Demons where Harris and Reed meet in a dark alley and he suggests that my character go work for him. During one of the rehearsals I asked, "Why, what have you got? A TV pilot? A movie? That brought the house down, especially as we'd already heard about the cancellation."

It was while filming the second half of the alternative universe episode, In a Mirror, Darkly, that Keating along with the rest of the Enterprise cast and crew learnt of the shows imminent demise. " Supervising producer Merri Howard had announced she was leaving while we were working on the first part of this story," says the actor. "That was a bit of a belly blow. It was like, Oh, God, they're all jumping ship. Merri kept saying it didn't mean anything, but it was difficult not to imagine that it did. And then we got cancelled. The news was tempered by the fact that for this episode they'd built a replica of the original Enterprise bridge as well as its corridors, and our characters were dressed in classic Trek costumes. Still, it was an odd time. As I mentioned earlier, we all had a feeling this was coming, so it was like a dark cloud was suddenly hanging over us."

Not surprisingly, shooting Enterprise's finale, These Are The Voyages, was an emotional experience for all concerned, including Keating. "We shot our last scene in engineering on Friday night [25th February]," he notes. "It was Connor Trinneer and me, and it's quite wonderful, really. I think it's one of those moments that fans will play back over and over in their heads. Basically, it's a thinly disguised allegorical scene for the end of our stint on Enterprise as both characters on the ship and actors on a TV show. It's very moving. There were a couple of times that night where I welled up. That Friday it really hit home for all of us that this was it."

Although he has no idea what fate has in store next for him, Keating is sure that he'll be OK. "I truly believe that, generally speaking, things happen for a reason," muses the actor. "I remember at the time I was gutted when my contract wasn't renewed on the UK sitcom Desmonds. Nonetheless, I went ahead with my plans to visit friends in San Francisco. I ended up going to Los Angeles, which wasn't planned, met some people there and six weeks later I moved to the States.

"Had things not turned out the way they did on Desmonds, I wouldn't be here today. I love living in Southern California and best of all, during my time on Enterprise I've learnt how to really act in front of the camera. I'm a different acting animal than I was four years ago. The show was an amazing luck of the draw for me. It may take some time, but I've just got to wait for the right part in the right project to come along again. I'm confident that will happen."

Celestial Bodies

Among the final episodes to be shot for Enterprise's fourth season was Bound where three Orion slave girls use their feminine wiles to persuade male crewmen to do their bidding. "Let me just tell you, the dance that the three actresses perform in the episode is very sexy," says Keating "The choreographer they worked with had also worked at one time with Janet Jackson. There were no wardrobe malfunctions, but there was quite an energy on set, green or otherwise," chuckles the actor.

"Cyia Batten, who played the lead Orion slave girl, was one of the original dancers in The Pussycat Dolls. She's just beautiful, as are the two women who played the other two Orion gals. William Lucking, who guest-starred as the girls owner did a terrific job as well and gave a very Marlon Brando-like performance. The set for this episode was great, too. It was a sort of space-age Sci-Fi tent where our characters were seduced with food, drink and foxy chicks."

Taking the High Road

Looking back at his time on Enterprise, Keating has nothing but good things to say about the shows cast, in particular, Scott Bakula. "One of the times I welled up on the Friday that I previously spoke of was while we were shooting a scene in the shuttlepod launch bay," he says.

"It was me, Scott, John Billingsley, Linda Park and Anthony Montgomery. I remember watching Scott at work and thinking, Scott, I can't tell you how great these past four years have been. I've learnt so much working with you, not only about the craft of acting and how to carry oneself on a film set, but also about being a human being.

"Scott is an extraordinary individual and one of life's true gents. Without sounding too full of myself, there are moments in my daily life when I'm not prone to take the high road, and I'll ask myself, How would Scott Bakula behave in this situation? That's the kind of positive affect he's had on me."

Source: www.dominickeating.com

[valdrinors-writing]

some amber & luna roleswap au notes

OC HALLOWEEN CHALLENGE 2024 ADDITION

amber talbot - luna derbyshire

luna's still the same kind, sweet and introverted girl as in canon, but she's slightly less insecure and more confident

unlike amber, her mom (here an identity for astraea) is still alive and her dad walked out on her when he found out her true identity as a goddess

astraea doesn't really mind, because she loves luna and prospero 'perry' dearly

luna's closer to her mom then in canon and learnt her powers from her - because her mentor was alive and wasn't her neglectful grandfather, luna's much more aware of her abilities - she's also aware of the dangers of overcharging

meets freddie when she spots him watching her soccer team train - she asks him if he wants to take part to which he points out his leg wound - gives the same song and dance about victor hitting him which immediately luna is concerned over and tries to call cps

freddie quickly clarifies its a joke and luna throws aside the large rock decides not to call cps lol

she asks if freddie would like some training to help with his leg and freddie says 'sure why not' because he doesn't have many friends at school and yeah, luna is 3 years older than him but she seems to care about him

definetly starts looking up physical education and rehab for injuries - she lacks amber's photographic memory but she does have a lot of passion and is very good at note-taking - really wants to make sure his leg is okay (probably comes across as a bit annoying)

when freddie is chosen to be the wizard's champion and shows up in her backyard in his super form, luna nearly wakes her brother up with her excited squeal :')

they go on a quick fly around philadelphia and luna gets so excited that she ends up letting out a photon beam :') that's how freddie finds out about luna's powers

luna is so hyped about learning more about freddie's powers and when she and billy end up becoming his 'sidekicks', billy is... significantly less excited

yes, their argument still happens, but its because billy believes that 'the blue cyclone' is acting childish and freddie believes that the blue cyclone 'needs someone to look after him' - luna's just like "can't we all just get along?!"

so sivana happens and later, luna meets the mk system

i have like 2 ideas for mk system and the one that's on my mind right now is while marc is still the host, its steven who made the deal with khonsu - marc is taking medication to try to 'silence' his alters, so when steven comes back he's shocked

luna is much more empathic towards marc than amber is - she really wants to help him out and is horrified when steven basically tells her 'oh after all this is over, ill just disappear'

"NO! THAT IS NOT A NORMAL THING FOR SOMEONE TO SAY! WHAT THE FUCK?!"

i also imagine that luna gets jake out quicker than amber does - mostly because she encourages the mk system to be more open with each other

when she moves back to philadelphia she sees there are spots open for a roommate position with a girl she vaguely knew from high school - enter amber talbot

luna derbyshire - amber talbot

amber is introverted and cold - doesn't really like talking to many people - has kind of locked herself in her room and kept herself away from other people due to her father's death and her grief

she doesn't really open up to anyone unless she has to, which usually means that she's much less of an open book - still a major overachiever, but not as prone to showing it off

she really hates the idea of people pitying her, which is why she fell into books and tv - specifically the master who series (idk if that's the title lol)

she's fond of the master, who's an ubergenius who uses his intelligence to save the world from alien threats, including the rebellious doctor

due to having watched the show on a night where she was suffering from exhaustion/depression from her father's death and her need to prove everyone that she's fine, her latent psychic abilities activate and she's brought into the tv show

amber never knew she was a mutant - her mom was were the mutant gene came from but their powers tend to activate due to stress or strong emotions - amber's mom has a bad habit of bottling up her emotions and has indirectly taught amber that's healthy (its not)

so finding out that she's not just a mutant but something called the 'constant companion' is a huge culture shock for her

gets along best with delgado and gomez master

she reminds the master of his mentee romana (who switches with susan as the first companion) and it was romana who encouraged amber to form a psychic link with the master, for research purposes

they both bond over feeling like they'll never be enough for themselves or others

okay now onto the doctor aka the biggest tragedy - same backstory, they're the timeless child and they took it... poorly

gallifrey was much less openly corrupt in here then in canon, so the doctor was just seen as a child lashing out at nothing

the master still ends up destroying gallifrey during the time war, a fact that keeps him up at night and leads to him confiding in amber about his trauma

but the doctor survives the war and puts his consciousness into a pocket watch which leads to uh... utopia

tennant is more like a scientist trying to encourage first contact than a politician (idea stolen from this art) - i also dont imagine he makes the 'doctor race' or whatever in end of time

(tbh that art inspired the hell out of this part of the au lol)

amber hates the doctor moreso than luna hates the master, but more because he shows pity for her - the doctor is naturally empathic, and he sees that she's grieving, and he basically calls out the master for not 'breaking through to her'

which leads to amber - in a fit of rage - nearly causing pertwee master to regenerate from a massive psychic shock - amber hates the idea that someone so evil pities her, and it just confirms her suspicions the only people who pity her and her grief are just bad actors trying to use her

at one point - during a break from traveling with the master - amber decides to move out and move into her own apartment. she places an ad because her mom is encouraging her to 'make some real friends', which is how she and luna meet

[kawaoneechan]

Another fun Animal Crossing thing.

In the previous games, with each acre being a full model that could only be altered through plants and objects, the map was generated by picking and choosing acres that fit together. If that failed, it'd scrap the attempt and try again.

So for example in the N64/GC game, the top row would always be train tracks, right? There's some variants of just the tracks with only ponds, dirt patches, or shrubbery, another some with a river going north/south and always starting and ending at the same horizontal, and some variants with the station, which always have a path going south. That means for for the first set, any acre can be chosen that has nothing going north, for the second any with a river from the north, and for the station any acre with a brick road. And that's always one with the four player houses, so the station is always directly north of the player's house. If the acre directly to the left of the station has a river, there must be a river acre to the left of the player houses, and it can go west or south but never east. If that happens, start over.

Similar things apply to the other games except for New Horizons, as far as I can tell.

I'm... still not entirely 100% certain how New Horizons generates the island.

The fun begins when you have Intentions to implement custom map generators for use in Project Special K, which would have ACNH style cliff and river editing. The acres can't be single models any more. So what I'd do is have each non-beach acre be defined as a series of individual tiles. Then the rules I just went over can apply and presto you have an N64/GC style map that you can freely edit cliffs and rivers in.

Except for the cliffs on the borders, of course.

[itsbooktimepeople]

Strange the Dreamer

★★★★☆

In middle school, I remember reading and really liking Laini Taylor's Daughter of Smoke and Bone series. That, and a friend's recommendation, inspired me to pick up Strange the Dreamer, and I'm so glad I did.

What is this book about? It's so creative and wonderful that it's hard to describe, but in short: Lazlo is an orphan obsessed with the lost city of Weep. Sarai is a half-goddess who lives in a giant floating citadel above the city. Lazlo accompanies other experts to Weep in order to help discover the secret of the citadel, and discovers the twisted history of the old murdered gods of Weep.

If that summary doesn't sound enticing, don't worry, because it doesn't do the book justice at all. On a more fundamental level, Strange the Dreamer is about love, both the power it gives us and has over us. It's about prejudice. It's about judging people for their parents' mistakes, and it's about what makes a hero or a villain.. (Let me just say, the themes in this book were presented excellently.)

So, as always, I will start with the things I liked.

High on the list is characterization, because holy smokes, Taylor knows how to write a protagonist. The scene where Lazlo first came to the library almost made me cry because it reminded me so much of why I fell in love with stories in the first place. He's a very genuine character, and something that really struck me was what a good person he is. I mean, lots of books have "good person" main characters, but we were never told that Lazlo is good. It's shown through his actions, and that makes all the difference. He's always willing to lend a helping hand, but he also knows when to back off, and understands that people have to star in their own stories.

And our other protagonist, Sarai, was also great. Her gift of entering and altering other people's dreams is explored deeply, and so is her relationship with Minya, who manipulated her into using her powers to bring nightmares to the citizens of Weep. A lot of Sarai's perspective dwells on her guilt and turmoil and longing to be considered a normal girl, but it never feels repetitive or annoying. When Sarai is sad, so is the reader, and when she's happy the reader rejoices.

Speaking of which, the romance also deserves a shout out. I'm not usually a fan of lovey-dovey books, but Sarai and Lazlo were so sweet together that I couldn't help but enjoy this one. They tell each other their deepest secrets and support each other's most difficult decisions. Maybe it's just me, but I also loved how slow they took their relationship. And, I think my favorite part was that, even though Sarai was raised to despise humans and Lazlo was told horrendous stories about the blue gods of Weep, they came to understand each other's people as well as love each other. And the ending completely broke my heart, but anyway

However, as wonderful as the characterization is, it pales in comparison to my favorite aspect of Strange the Dreamer, which is the sheer creativity. I think Laini Taylor must be a genius or something. I don't want to spoil the story, but let's just say the dilemma Weep is facing, the creatures that used to live there, the fact that everyone in the book has two hearts (one that pumps blood and one that pumps spirit), the tattoos the women of Weep receive, and of course the writing style... Reading this book really does feel like stepping into a dream.

To anyone who loves fantasy, I completely recommend Strange the Dreamer. I can't wait to read the sequel!

[arsnovacadenza]

FAFNER THE BEYOND RANT. FULL SPOILERS

Just to clarify one thing: I never intend to bash Maya.

Long-lived crush on Kazuki aside, I greatly appreciate the bond that they had. Maya had been a great support all those five years Kazuki was coping with having Soushi taken away from again. They had the sweetest moments in Fafner Exodus (baring a few....scenes that made me feel like Maya's characterization was taking a concerning turn. I agree with @lady-byleth) and Kazuki being sweet with the girls close to him is one of the reasons why he's so endearing. Hell, I laugh along when people joke that he's got an untended harem full of women. Reminds me of Athrun, another favorite character of mine.

But the (not actually random) ship tease with Maya at the end of The Beyond makes me feel like it's an absolute cop-out. Do I want to say it's queerbaiting rearing its ugly head? Kinda, sorta but at the same time not really. They've practically erased every meaningful beat of Kazuki's relationship with the two Soushis, so unless Behind the Line delivers that killing blow, I'm holding out hope.

On the other hand....

......I wish I could root for Maya, and I do want the best for her, but to set her up as a second choice because Soushi's out of the picture just like that....well

I don't mean Maya's the bitch. She's just been consistent with her crush on Kazuki. So is Kazuki asking her to come with him because he also extended the same gesture to Canon in an alternate continuity (THAT WAS SWEET, YO. THAT HAD WEIGHT. PUNCHED ME RIGHT IN THE KOKORO WHEN CANON DIED).

The bitch is how The Beyond wraps up Soushi and Kazuki's arc and how Kazuki copes with the aftermath. What's disappointing is all of this buildup to Kazuki and Soushi's (and by extension Kosoushi's) relationship for the last...I don't know, two whole-ass-seasons and two freaking movies (It was there in Left of Right) and all we get is Kazuki getting told "ya Soushi's dead. Get over it" by Kosoushi and then yeeting himself off the island, which.....kinda makes sense considering he did show a desire to see stuff outside the island. I'm not even gonna start with that ship-teasingly promise to Maya (the scene even used the firefly symbolism from Anya Kouro) to return and then just yeets himself from Kosoushi's life. What, are you not going to attempt rebuilding a relationship with Kosoushi? The kid you'd been raising like a son?

But man, speaking of Maya I feel like they've done dirty in The Beyond. This is probably just me, but I was genuinely heartbroken seeing her go from a cheerful, thoughtful, genuinely sweet girl who deeply cares for Kazuki while respecting his bond with Soushi (make of that what you will) to an obviously depressed, deadpan woman with too much burden on her shoulders (I can't tell if it's the killing from Exodus that made her that way or if the altered mental state while piloting Fafner spilled over to her personality). At least, at least give her an arc that has her trying to recover and rebuild her life (that's not just settling with Kazuki). You know, some sort of believable development?

She had been my favorite female character, next to Seri and now Canon. But watching The Beyond was just....ugh

That is all. Thank you for coming to my nighttime TED talk.